Benjamin Altman’s bequest paintings

19
Boy with a Lute
Frans Hals · ca. 1625 · The Met 14.40.604
The Met · CC0
“Boy with a Lute”
Frans Hals, ca. 1625
The Met 14.40.604 · CC0
Cropped to fit the frame.
20
Man with a Steel Gorget
Style of Rembrandt · The Met 14.40.601
The Met · CC0
“Man with a Steel Gorget”
Style of Rembrandt
The Met 14.40.601 · CC0
Cropped to fit the frame.
21
Merrymakers at Shrovetide
Frans Hals · ca. 1616–17 · The Met 14.40.605
The Met · CC0
“Merrymakers at Shrovetide”
Frans Hals, ca. 1616–17
The Met 14.40.605 · CC0
Cropped to fit the frame.
22
Entrance to a Village
Meyndert Hobbema · ca. 1665 · The Met 14.40.614
The Met · CC0
“Entrance to a Village”
Meyndert Hobbema, ca. 1665
The Met 14.40.614 · CC0
Cropped to fit the frame.
23
Young Man and Woman in an Inn
Frans Hals · The Met 14.40.602 · 1623
The Met · CC0
“Young Man and Woman in an Inn”
Frans Hals, 1623
The Met 14.40.602 · CC0
Cropped to fit the frame.
24
Portrait of a Man Holding Gloves
Rembrandt (Rembrandt van Rijn) · The Met 14.40.620 · 1648
The Met · CC0
“Portrait of a Man Holding Gloves”
Rembrandt (Rembrandt van Rijn), 1648
The Met 14.40.620 · CC0
Cropped to fit the frame.
25
The Supper at Emmaus
Velázquez (Diego Rodríguez de Silva y Velázquez) · 1622–23 · The Met 14.40.631
The Met · CC0
“The Supper at Emmaus”
Velázquez (Diego Rodríguez de Silva y Velázquez), 1622–23
The Met 14.40.631 · CC0
Cropped to fit the frame.
26
Federico Gonzaga (1500–1540)
Francesco Francia · The Met 14.40.638 · 1510
The Met · CC0
“Federico Gonzaga (1500–1540)”
Francesco Francia, 1510
The Met 14.40.638 · CC0
Cropped to fit the frame.
27
Portrait of a Woman, Called the Marchesa Durazzo
Anthony van Dyck · probably ca. 1622–25 · The Met 14.40.615
The Met · CC0
“Portrait of a Woman, Called the Marchesa Durazzo”
Anthony van Dyck, probably ca. 1622–25
The Met 14.40.615 · CC0
Cropped to fit the frame.

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About this collection60 items

Sixty Met painting records credited to Benjamin Altman’s 1913 bequest, retaining the museum’s current artist attributions.

Museum credit-line scope: fifty records correspond to the historic handbook’s fifty-one numbered paintings, including one paired Memling record; ten additional landscapes share the bequest credit. Not an Altman favorites list. Current workshop, follower, style, attributed-to and copy-after qualifications remain.

Source: https://archive.org/details/handbookofbenjam00metrrich

Numbers show collection order, not a source rating.

Museum image credits

Old Woman Cutting Her Nails: Style of Rembrandt (Rembrandt van Rijn) · ca. 1655–60 · The Met 14.40.609 · CC0 · cropped to fit
Woman with a Pink: Rembrandt (Rembrandt van Rijn) · early 1660s · The Met 14.40.622 · CC0 · cropped to fit
Pilate Washing His Hands: Style of Rembrandt · probably 1660s · The Met 14.40.610 · CC0 · cropped to fit
Man with a Magnifying Glass: Rembrandt (Rembrandt van Rijn) · early 1660s · The Met 14.40.621 · CC0 · cropped to fit
Old Woman in an Armchair: Attributed to Jacob Backer · The Met 14.40.603 · CC0 · cropped to fit
Rembrandt's Son Titus (1641–1668): Style of Rembrandt · The Met 14.40.608 · CC0 · cropped to fit
A Maid Asleep: Johannes Vermeer · ca. 1656–57 · The Met 14.40.611 · CC0 · cropped to fit
Wheat Fields: Jacob van Ruisdael · ca. 1670 · The Met 14.40.623 · CC0 · cropped to fit
The Toilet of Bathsheba: Rembrandt (Rembrandt van Rijn) · 1643 · The Met 14.40.651 · CC0 · cropped to fit
Portrait of a Man ("The Auctioneer"): Follower of Rembrandt · probably ca. 1658–62 · The Met 14.40.624 · CC0 · cropped to fit
Portrait of a Woman: Rembrandt (Rembrandt van Rijn) · 1633 · The Met 14.40.625 · CC0 · cropped to fit
A Woman Playing the Theorbo-Lute and a Cavalier: Gerard ter Borch the Younger · ca. 1658 · The Met 14.40.617 · CC0 · cropped to fit
Young Woman with a Pearl Necklace: Copy after Willem Drost · The Met 14.40.629 · CC0 · cropped to fit
Interior with a Young Couple: Pieter de Hooch · probably ca. 1662–65 · The Met 14.40.613 · CC0 · cropped to fit
Young Herdsmen with Cows: Aelbert Cuyp · ca. 1655–60 · The Met 14.40.616 · CC0 · cropped to fit
Young Woman Peeling Apples: Nicolaes Maes · ca. 1655 · The Met 14.40.612 · CC0 · cropped to fit
Self-Portrait: Rembrandt (Rembrandt van Rijn) · 1660 · The Met 14.40.618 · CC0 · cropped to fit
Self-Portrait: Gerrit Dou · ca. 1665 · The Met 14.40.607 · CC0 · cropped to fit
Boy with a Lute: Frans Hals · ca. 1625 · The Met 14.40.604 · CC0 · cropped to fit
Man with a Steel Gorget: Style of Rembrandt · The Met 14.40.601 · CC0 · cropped to fit
Merrymakers at Shrovetide: Frans Hals · ca. 1616–17 · The Met 14.40.605 · CC0 · cropped to fit
Entrance to a Village: Meyndert Hobbema · ca. 1665 · The Met 14.40.614 · CC0 · cropped to fit
Young Man and Woman in an Inn: Frans Hals · 1623 · The Met 14.40.602 · CC0 · cropped to fit
Portrait of a Man Holding Gloves: Rembrandt (Rembrandt van Rijn) · 1648 · The Met 14.40.620 · CC0 · cropped to fit
The Supper at Emmaus: Velázquez (Diego Rodríguez de Silva y Velázquez) · 1622–23 · The Met 14.40.631 · CC0 · cropped to fit
Federico Gonzaga (1500–1540): Francesco Francia · 1510 · The Met 14.40.638 · CC0 · cropped to fit
Portrait of a Woman, Called the Marchesa Durazzo: Anthony van Dyck · probably ca. 1622–25 · The Met 14.40.615 · CC0 · cropped to fit
Philip IV (1605–1665), King of Spain: Velázquez (Diego Rodríguez de Silva y Velázquez) · probably 1624 · The Met 14.40.639 · CC0 · cropped to fit
Lucas van Uffel (died 1637): Anthony van Dyck · ca. 1622 · The Met 14.40.619 · CC0 · cropped to fit
Portrait of a Man: Titian (Tiziano Vecellio) · ca. 1515 · The Met 14.40.640 · CC0 · cropped to fit
Filippo Archinto (born about 1500, died 1558), Archbishop of Milan: Titian (Tiziano Vecellio) · mid-1550s · The Met 14.40.650 · CC0 · cropped to fit
Virgin and Child with Saint Anne: Albrecht Dürer · probably 1519 · The Met 14.40.633 · CC0 · cropped to fit
Lady Lee (Margaret Wyatt, born about 1509): Workshop of Hans Holbein the Younger · early 1540s · The Met 14.40.637 · CC0 · cropped to fit
Virgin and Child with Angels: Bernard van Orley · ca. 1518 · The Met 14.40.632 · CC0 · cropped to fit
Lady Rich (Elizabeth Jenks, died 1558): Workshop of Hans Holbein the Younger · ca. 1540 · The Met 14.40.646 · CC0 · cropped to fit
Ulrich Fugger the Younger (1490–1525): Hans Maler · 1525 · The Met 14.40.630 · CC0 · cropped to fit
Saint Justina of Padua: Bartolomeo Montagna (Bartolomeo Cincani) · 1490s · The Met 14.40.606 · CC0 · cropped to fit
The Holy Family with Saint Mary Magdalen: Andrea Mantegna · ca. 1495–1500 · The Met 14.40.643 · CC0 · cropped to fit
Portrait of a Young Man: Antonello da Messina (Antonello di Giovanni d'Antonio) · ca. 1470 · The Met 14.40.645 · CC0 · cropped to fit
The Crucifixion: Fra Angelico (Guido di Pietro) · possibly ca. 1440 · The Met 14.40.628 · CC0 · cropped to fit
Madonna and Child: Workshop of Andrea del Verrocchio · ca. 1470 · The Met 14.40.647 · CC0 · cropped to fit
The Last Communion of Saint Jerome: Botticelli (Alessandro di Mariano Filipepi) · early 1490s · The Met 14.40.642 · CC0 · cropped to fit
Madonna and Child with Angels: Workshop of Domenico Ghirlandaio · The Met 14.40.635 · CC0 · cropped to fit
Portrait of a Young Man: Cosmè Tura (Cosimo di Domenico di Bonaventura) · 1470s · The Met 14.40.649 · CC0 · cropped to fit
Holy Family with an Angel: Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) · ca. 1490 · The Met 14.40.641 · CC0 · cropped to fit
Portrait of a Man: Dieric Bouts · ca. 1470 · The Met 14.40.644 · CC0 · cropped to fit
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456): Hans Memling · ca. 1470 · The Met 14.40.626–27 · CC0 · cropped to fit
Virgin and Child with Saints Catherine of Alexandria and Barbara: Hans Memling · early 1480s · The Met 14.40.634 · CC0 · cropped to fit
Portrait of an Old Man: Hans Memling · ca. 1475 · The Met 14.40.648 · CC0 · cropped to fit
Christ Taking Leave of His Mother: Gerard David · ca. 1500 · The Met 14.40.636 · CC0 · cropped to fit
Changing Pasture: Anton Mauve · ca. 1880 · The Met 14.40.810 · CC0 · cropped to fit
The Ferryman: Camille Corot · ca. 1865 · The Met 14.40.811 · CC0 · cropped to fit
Twilight: Anton Mauve · The Met 14.40.812 · CC0 · cropped to fit
A Pond in Picardy: Camille Corot · ca. 1867 · The Met 14.40.813 · CC0 · cropped to fit
An Early Summer Morning in the Forest of Fontainebleau: Théodore Rousseau · probably 1861 · The Met 14.40.814 · CC0 · cropped to fit
The Banks of the Oise: Charles-François Daubigny · 1863 · The Met 14.40.815 · CC0 · cropped to fit
The Return to the Fold: Anton Mauve · The Met 14.40.816 · CC0 · cropped to fit
A Lane through the Trees: Camille Corot · ca. 1870–73 · The Met 14.40.817 · CC0 · cropped to fit
A River Landscape with Storks: Charles-François Daubigny · 1864 · The Met 14.40.818 · CC0 · cropped to fit
The Edge of the Woods: Narcisse-Virgile Diaz de la Peña · 1872 · The Met 14.40.819 · CC0 · cropped to fit

Original museum images are public-domain works released by the museums under CC0. Fav Tings is independent and not affiliated with The Met or the Cleveland Museum of Art.

Artwork data and images: The Met and Cleveland Museum of Art open access (CC0).

Benjamin Altman’s bequest paintings

Boy with a Lute

Man with a Steel Gorget

Merrymakers at Shrovetide

Entrance to a Village

Young Man and Woman in an Inn

Portrait of a Man Holding Gloves

The Supper at Emmaus

Federico Gonzaga (1500–1540)

Portrait of a Woman, Called the Marchesa Durazzo

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